Photography
This is the main thing I used to do. It was a whole lifetime & livelihood. For a time, it was "what I was", as in, "What are you?"
"I'm a photographer."
FEATURED
4Assailed by arctic terns.
Bjarnadalur valley, ~7km north of Bifrost University; on Road 60 due west of Baula (volcano)
Holmavik & Hunafloi Bay on the Greenland Sea
Holmavik & Hunafloi Bay on the Greenland Sea
Near Hrófbergsfjall, about 10 minutes west of Holmavik in the Westfjords.
A weathered old house corroding in the briney Arctic wind sighing over the rocks of Skutulsfjörður.
Ladder for boats banked in Skutulsfjörður. Seen from Isafjordur on a misty morning in June. On a clear day, you can see Snæfjöll across the bay.
Ísafjörður Church cemetery in the foreground; Ísafjörður Culture House in the background.
It was surprising to watch the shore in the morning and see no boats in the water - a far as I could tell, they remained in the harbor. There didn't seem to be anyone bringing fish in all day long. Perhaps the weather was bad for fish? I don't know boat types very well, but there appeared to be a mix of fishing boats and ferries docked in Polurinn harbor, with fishing boats appearing to outnumber the ferries by far - as expected. But from 5AM to 11AM, the harbor was quiet, and I only saw one man in the vicinity, repairing his boat.
Managisting Gisthus is architecturally majestic, yet its accommodations are hostel-grade minimal and its facilities could scarcely be more stark, and the cost of a shoebox in the basement, without towels or any general provisions, was $150, or 150,000 ISK. I recommend looking for a campsite instead.
Isafjordur, Westfjords.
Isafjordur is a surprisingly industrial town - hardly a 'quaint' village. There are a lot of large buildings, warehouses, odd landmarks. It is not a sensational destination, full of dazzling delights, but rather a placid, solemn northerly muncipality with more buildings than people.
Isafjordur shanty.
Isafjordur shanty.
An old police car in Isafjordur.
If you travel to the Westfjords, remember to be ever-vigilant of the sheep. Last June (2016), 44 sheep found dead, killed by motor vehicles. They are great little guys and weirdly intelligent. Please be careful.
If you travel to the Westfjords, remember to be ever-vigilant of the sheep. Last June (2016), 44 sheep found dead, killed by motor vehicles, although I'm pleased to note that we did not encounter any dead sheep on our travels and instead found them all alive, usually doing this.
The bridge from which this was shot spans a tributary of Stíflisdalsvatn lake. This fine little Volkswagen Golf (2016) was still sullied with volcano dust the rain had yet to wash away.
We camped, perhaps illicitly, under this bridge. It didn't appear to be anyone's property, since there were pull offs and no fences, but it was difficult to say for sure. The bridge spanned a tributary of Stíflisdalsvatn lake. Snow-capped, Stóra Sauðafell hill looms beyond.
Visitor center window selfie at Thingvellir.
Inspiration
Texture, light, leaves, birds, subtext, nuanced body language, contextualization, quirky phenotypes, revelry, my cat.
Why I did it
1) If a tree falls in the forest, and no one takes a picture, who's going to like it?
2) Alright. That's a dystopian oversimplification.
This tech-mediated dopamine hack works partly because many of us are fundamentally wired to exist communally or codependently to some extent, like the one-winged, one-eyed jian bird of lore. Photography enjoyed nearly a century of being one of the most literal ways to share a moment with someone who could not be present.
3) Take it from an amnesiac: Memory is seriously fallible.
What I learned
Existentially:
1) Most of all, what I learned is to exist fully in a moment without the need for anyone else to see it or understand. The impulse may still exist but less frantically than before.
2) Microexpressions are the windows to the soul.
Technically:
1) Unless you're Herzog, everything is darker than you think.
2) Bring a reflector and a friend.
3) Prime lenses teach good instincts. For the ablebodied & ambulatory, legs are your zoom. Walk deeper in, where traversible, and you often get the better shot and the better understanding.
4) When parsing the filmroll, rank your photos in black and white to assess the quality of values & composition before assessing other factors. It will quickly narrow down the best shots.
Professionally:
1) Don't take a gig for less than $150 unless it's for your grandmother or mom and you like them.
2) Hire an assistant.
3) Your clients hire you. But you also hire them. Figure out who you want to work with and find them. Then you'll rarely have a bad day.
Challenges
Sometimes your sky clips. Sometimes your shadows fry. These are preventable. Sometimes the sun won't cooperate and the baby has colic. These are navigable. Never have I met a photography obstacle that is truly insurmountable, aside from the failure of one's own faculties. Each failure is a lesson in resilience and better preparation. It's an idyllic trade for the restless, relentless and adaptable.
Quality note
If I can't get your shot, who will? Some sith lord from a satellite? No. Diane Arbus? Weegee? Man Ray? Okay, maybe.
This is what I do best, and I'm great at it.
Awards
I don't know, I lost track. I got some publications, won some contests. Whatever. Exposure bucks. Not the point.
Collaborators
- Lots of people came and went as per the nature of the business, but longstanding were:
- Adam — my assistant.
- Zoe — I was her assistant, for a year or so, before going full time at my own company.
- Attention Seekers — I did some of their set photography.
- SOU — Did event photography for the International Studies program and the Digital Media Center
- Klamath County Public Access Television — Covered local events.
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